Organizers Call for Artistic Reform in Stage Presentations

Key stakeholders in the Lucian Carnival brand production are undertaking a critical assessment of measures to enhance the creativity of artists’ stage presentations, particularly in relation to the Kaiso and Soca Monarch shows.

This year’s Lucian Carnival showcased several of the island’s leading artists in the Kaiso and Soca arenas, all competing fiercely for the prestigious Monarch titles and the substantial monetary prizes at stake.

As performers approached the grand finals of the National Calypso Monarch competition on July 11 at the Sab playing field, the excitement in the tents were palpable, filled with dynamic presentations characterized by strong lyrical content and electrifying rhythms.

The Kaiso finals presented a formidable challenge, with veterans like Herb B, Educator, Walleigh, TC Brown, and Menelle, delivering powerful performances, weaving together clever lyrics with infectious ‘jumpy-beat’ tempos.

Meanwhile, the ‘Young Guns,’ including Dezral, Ready, and Lushan, made a significant impact by addressing pressing ‘nitty-gritty’ social issues with their music.

Ready has evolved into an exceptional performer, showcasing sharp, brisk dynamics and penetrating delivery. Her journey has culminated in a well-deserved Monarch title, a testament to her tenacity and consistency as a contender over the years.

Gumption, representing the South Calypso Tent, made waves with two standout tracks—”Black Man” and “Creole Therapy”—that resonated deeply with the audience, earning him the passionate support of his southern district fans. The latter tune delved deeply into the lyrical diction and expression of the Creole language, emphasizing the depth, clarity, and powerful impact of its translations. These elements have the potential to stir even the most hardened criminals into moments of reflection and submission.

TC Brown adeptly navigated the complexities of contemporary English, using a distinct ‘play on words’ to illuminate critical social issues.

Despite facing a recent controversy over social media backlash, defending Monarch Dezral demonstrated resilience, rallying back with the vigor that defines his performances to secure a top four finish.

In his 40th anniversary year, Herb Black continues to shine, although he faced challenges from delays caused by his backup crew’s management of props and audio presentations. Despite these obstacles, his hit “St Jude Hospital” was poised for greater recognition at the finals, but the stage crew’s repeated missteps in choreography and audio detracted from his performance.

John Gotti, with his extensive experience and multiple Kaiso Monarch titles from the USVI, brought refreshing perspectives to his performance, demonstrating a thought-provoking presentation worthy of attention.

Amid the excitement, Minister for Tourism and Creative Arts Dr. Ernest Hilaire directly addressed the musical production components and aspects vital to enhancing the Lucian Carnival brand during an interview with THE VOICE.

Notably, the Inter Commercial House Calypso competition has generated significant interest, with performers showcasing well-crafted lyrical and stage presentation skills. The Minister highlighted the record number of entrants in this contest, underscoring its growing appeal within the corporate revelry and community atmosphere.

Dr. Hilaire specifically commended first-time Kaiso Monarch “Ready” for her remarkable efforts in making her mark, while emphasizing the need for ‘serious discussions’ among artists, judges, and organizers about the use of skits and audio-visual presentations that often prolong delivery times.

He stated, “Some of these skits have become irrelevant… and we need to address this matter moving forward.”

Claude Paul, Chairperson of the Carnival Music Management Committee (CMMC), also voiced the urgency of “cutting down” lengthy onstage presentations. He clarified, “In the finals, each artist is permitted a maximum of 10 minutes to showcase their songs, including stage skits and audio-visual presentations.”

Paul said that some artists exceeded their time limits during the Soca segment, resulting in point deductions, while acknowledging that no such penalties were applied in the Kaiso competition.

However , he asserted, “The focus should shift more towards singing and creativity. While some have used video and audio components, they don’t always enhance performances. Artists need to refine these aspects as we move forward to elevate the quality of the shows.”